Please note that prior to making an application, the producer must make an initial contact
with the TIP Coordinator to review the project.
Upon review, if the
project falls within the guidelines, the TIP Coordinator will then provide
an application package which must be completed and submitted to ACTRA Toronto
at least one (1) month prior to the start date.
No production will be evaluated unless
all documentation is complete.
|
1.
|
Names and contact information for all producers, writers, and directors.
Include: addresses, phone numbers (personal and business), detailed resumes and bios/ |
|
2. |
Name and CV
of the mentor. |
| 3.
|
A cover letter
describing the particular circumstances of your production. You
may address some of the items in the list below in your letter. |
| 4.
|
Disclosure
of all related party transactions such as ALL sources of income
in budget (both personal and corporate). |
| 5. |
Canadian Media Producers Association (CMPA) membership
number. |
| 6. |
Insurance certificates and coverage. |
| 7.
|
Written
assurance and proof that all producers and directors are Canadian
Residents and/or Citizens. |
| 8. |
List of all
directors, officers and shareholders of Producer and any others
with an option to own or control shares. |
| 9.
|
A true copy of the Producer's Articles of Incorporation is required for Feature Film submissions. |
| 10.
|
A Production Budget.
Using the CAVCO/TELEFILM budget system (or other film budget software) list the line items relevant to your project. Include dollar values for donations, deferred services and volunteer time. |
| 11.
|
(for Feature films) CAVCO Part
A Application in draft form, if available. |
| 12.
|
(for Feature films) a Distribution Agreement
(CAVCO qualifying), if available. |
|
Script and Creative Materials: |
| 13.
|
Copies of
the shooting script electronic synopsis (send as Word attachment). |
| 14.
|
Production Schedule, Day out of Days, Shooting Schedule, Locations
List. |
| 15.
|
A list, with
script page numbers, disclosing all scenes of violence, nudity,
semi-nudity, or sexual content. Understand, the purpose of this
is not to judge, but to ensure that all potential performers for
your project are fully informed. |
| 16.
|
A list of
principal and actor roles available in your project and the approximate
number of shooting days required for each role. Include the Total
Number
of Performer Workdays. Description of role of character and
state principal and actor category. |
| 17.
|
Number of days
where Background Performers are required. Description of role of background
character and breakdown. |
| 18.
|
A list of all
roles to be played by minors with a description detailing special
provisions you will be taking. All Minor forms (Appendix 14) to
be completed as per the IPA prior to work date. |
| 19.
|
A list of
all stunts with a description detailing special provisions being
taken.
Please be aware that the definition of an action that requires
a stunt performer is not necessarily something spectacular. Any
action where even a minor injury is a risk should be performed
by a stunt double. |
| 20.
|
The name of a qualified ACTRA
Stunt Coordinator name (required if stunts are to be performed) |
By completing and submitting this form the Producer acknowledges and warrants to the following: