Health and Safety
Rights and Responsibilites
You have health and safety rights and responsibilities under the Independent Production and Commercial Agreements (IPA and NCA), the Occupational Health and Safety Act , and the Section 21 Health and Safety Guidelines for the Film and Television Industry. Become familiar with them. Make being safe your number one priority. Keep your eyes open and stay alert.
Notify someone on the crew if you see something that looks unsafe.
Be helpful, respectful and patient. Most problems can be resolved quickly and to everyone’s satisfaction.
Ask questions, if you are unsure of your situation or responsibilities.
Identify the crew Health and Safety Representative and any Stunt Coordinator listed on the call sheet.
**Special Note ** As of July 1, 2014, Health and Safety Awareness Training is MANDATORY for all workers in Ontario, including performers.
Specific Areas of Concern to Actors on a Film Set
Slip and Fall Accidents
These make up the majority of all workplace injuries. Exercise caution around Honey Wagons, bathrooms and loose cables. Be careful on stairs and when crossing roads or highways.
Wear proper (seasonal) clothing and footwear. Insist on proper water wear for conditions. Bring layers to cover up with between takes and an opportunity to warm up. Drink plenty of water. Water should be clean and of a reasonable temperature. Demand clean, accessible toilet facilities. Watch to see that Make‐up and Craft Service personnel are following reasonable hygienic procedures. Be careful and ask questions when working with “smoke” or artificial snow on a set. Be cautious around propane heaters. They are NOT to be used in an enclosed space.
Allergies and Medical Conditions
Make appropriate production and crew members aware of any allergies you have (e.g., food, make‐up, animals), chemical sensitivities, phobias, or medical conditions (e.g., epilepsy, chronic back pain, heart condition) that may be triggered by the set environment.
Be alert around heavy equipment (e.g., cranes, set structures, overhead lights and flags). Be aware of when and where firearms, explosives, pyrotechnics, open flames, helicopters, wind machines and the like will be used on set. If you’re in the shot, ask if you can attend the on‐set safety meeting when a stunt is to be performed, whether you’re doing the stunt or not. Watch for laser measuring devices being used by focus pullers and other crew members. Ask if they are in use on set and avoid looking directly at them.
WEAR SEAT BELTS! Don’t overestimate your driving skills. If you’re not a “professional” stunt driver, let someone else drive. If you’ve never ridden a motorcycle or driven a boat, the set is not the place to learn.
Animal actors are specially trained. Do not approach them without the trainer’s permission and supervision. If you’re in a scene with an animal, talk to the trainer. Learn all you can about your fellow actor.
Special Performance Regulations exist in the IPA, NCA and Child Performers Guideline to protect child performers. DO NOT BEND THE RULES TO PLEASE PRODUCTION. These rules were hard‐fought and are in place for the benefit of vulnerable performers.
What Is a Stunt?
A stunt is a performance that would be considered dangerous if not performed by someone with special training, or is beyond a performer’s general experience or abilities and would therefore place them at risk of injury. A Stunt Coordinator is the best person on the set to decide whether any particular performance is a stunt and should be subject to a stunt fee.
If there is no Stunt Coordinator on set and you feel it would be unsafe for you to attempt the performance that is being requested of you, you should let production know of your concerns and suggest they get a qualified stunt performer to do the performance. Be aware that long‐term, career‐ending injuries can result from poorly performed or dangerous stunts. Proceed with caution and never misrepresent your ability to perform special skills (e.g., rollerblading, horseback riding, etc.)
If You Are Injured or Become Ill On Set*
*set: includes all areas of the actor’s workplace
- REPORT THE INJURY to the closest A.D. and the Crew Health and Safety Representative.
- See the set nurse or medic when available.
- Ask the production which the name of their insurer for workplace accident/injury insurance.
- Go to the hospital. Even small injuries can have dire consequences. Ask for a copy of the report.
- Complete documents to protect yourself for any future insurance claim. These may include an Accident Report, a WSIB Report, and a Police Report (for auto accidents).
- Make detailed notes about the incident, including names and observations.
- Call the ACTRA Business Representative responsible for the production at 416‐928‐2278 and provide them with copies of all documentation.
- See your family doctor as soon as possible. Have your doctor write a letter describing your condition.
- If you have questions about AoS (Accident on Set) please email Tania Cardwell
If you find yourself sick or injured a few days after an incident on set, see your family doctor IMMEDIATELY and notify the ACTRA Business Representative responsible for the production.